Where imagination runs wild
When they first announced a quasi-sequel to the poorly put-together but brilliantly casted original Suicide Squad movie, I was relieved. The other entire concept of the squad – the expendables of the DC universe, essentially – were too good to
The greatest Green Arrow stories are those in which he is treated like a modern-day Robin Hood, both a loudmouth political windbag with a gritty manner of dispensing justice as well as a cynical, flamboyant, swashbuckling hero. In an effort
Bruce Jones‘ run on the Incredible Hulk is one of the more lauded runs on the character; I must admit, I have only laid hands on two arcs from the run, “Return of the Monster”, collecting #34-39, & “Boiling Point“,
No-one reinvents mythologies like Geoff Johns; to me, by now, it is a given. Out of all of his books, however, the writing in Shazam: The Seven Magic Lands does slip into being blatant in what is being said rather
The classic tale “Nights of Wundagore” by John Byrne, David Michelinie, Mark Gruenwald and Steven Grant is a strange read in Avengers history, in that it exists between an approach of treating the Avengers as an organisation of like-minded individuals
How do you reinvent a legend? While the origins of Batman have been told ad nauseam with varying degrees of success, Geoff Johns and Gary Frank‘s take on Batman’s lore in Batman: Earth One is perhaps the most “real” of
It is immensely difficult to pull off a story from a villain’s perspective and make it work. It is extraordinary, however, that the character s own creator, in spite of it being a return that has been long-desired by fans
Although it is a very straightforward and standard tale in comparison to its peers, 1986’s Avengers Under Siege storyline (Avengers #270-277) represented a reality of terrorist activity that was not unheard of during the 80s. At heart, that is what
I must admit with all the buzz around Matt Wagner’s Trinity when I was younger I expected something a little more along the lines of a reflection upon the relationship between DC’s big three. It is by no means a
Jeph Loeb and Tim Sale‘s “Superman For All Seasons” is best described, I believe, as a simple masterpiece. It doesn’t try to be a grand story with sprawling action scenes or a mind-boggling thriller or a deconstruction of the Man